Glass engravers have been very proficient artisans and artists for hundreds of years. The 1700s were especially remarkable for their accomplishments and popularity.
For example, this lead glass cup shows how etching integrated style trends like Chinese-style themes into European glass. It likewise highlights exactly how the ability of a great engraver can generate illusory depth and aesthetic appearance.
Dominik Biemann
In the initial quarter of the 19th century the conventional refinery region of north Bohemia was the only location where ignorant mythical and allegorical scenes engraved on glass were still in fashion. The cup visualized below was etched by Dominik Biemann, who focused on little pictures on glass and is considered as one of the most essential engravers of his time.
He was the kid of a glassworker in Nové Svet and the bro of Franz Pohl, an additional leading engraver of the duration. His work is characterised by a play of light and shadows, which is particularly obvious on this cup presenting the etching of stags in timberland. He was also known for his deal with porcelain. He died in 1857. The MAK Museum in Vienna is home to a big collection of his jobs.
August Bohm
A remarkable Nurnberg engraver of the late 17th century, Bohm collaborated with special and a feeling of calligraphy. He engraved minute landscapes and inscriptions with bold formal scrollwork. His work is a precursor to the neo-renaissance style that was to dominate Bohemian and other European glass in the 1880s and beyond.
Bohm embraced a sculptural feeling in both relief and intaglio engraving. He exhibited his mastery of the latter in the finely crosshatched chiaroscuro (shadowing) effects in this footed goblet and cut cover, which depicts Alexander the Great at the Battle of Granicus River (334 BC) after a painting by Charles Le Brun. Despite his considerable ability, he never ever attained the popularity and lot of money he looked for. He passed away in scantiness. His partner was Theresia Dittrich.
Carl Gunther
In spite of his steadfast work, Carl Gunther was an easygoing guy who delighted in spending quality time with friends and family. He enjoyed his everyday ritual of going to the Collinsville Senior Center to enjoy lunch with his buddies, and these minutes of sociability supplied him with a much required break from his demanding career.
The 1830s saw something fairly phenomenal take place to glass-- it ended up being vibrant. Engravers from Meistersdorf and Steinschonau created richly coloured glass, a preference referred to as Biedermeier, to satisfy the demand of Europe's country-house classes.
The Flammarion inscription has actually ended up being a symbol of this brand-new preference and has actually appeared in books committed to scientific research glass retirement gifts in addition to those exploring necromancy. It is additionally discovered in various museum collections. It is believed to be the only making it through example of its kind.
Maurice Marinot
Maurice Marinot (1882-1960) began his occupation as a fauvist painter, however became fascinated with glassmaking in 1911 when seeing the Viard siblings' glassworks in Bar-sur-Seine. They gave him a bench and taught him enamelling and glass blowing, which he understood with supreme skill. He developed his very own techniques, making use of gold flecks and exploiting the bubbles and various other natural flaws of the product.
His method was to treat the glass as a creature and he was among the initial 20th century glassworkers to utilize weight, mass, and the visual result of natural flaws as visual aspects in his jobs. The exhibit demonstrates the substantial effect that Marinot carried contemporary glass production. Regrettably, the Allied bombing of Troyes in 1944 damaged his studio and hundreds of illustrations and paintings.
Edward Michel
In the very early 1800s Joshua introduced a design that imitated the Venetian glass of the duration. He utilized a strategy called diamond factor engraving, which entails scratching lines right into the surface of the glass with a tough metal apply.
He likewise created the very first threading equipment. This creation permitted the application of long, spirally wound routes of color (called gilding) on the text of the glass, a vital attribute of the glass in the Venetian style.
The late 19th century brought brand-new style ideas to the table. Frederick Kny and William Fritsche both worked at Thomas Webb & Sons, a British business that concentrated on top quality crystal glass and speciality coloured glass. Their job showed a choice for classical or mythical topics.
